Meet DDscout.eu, the digital distribution price comparison site; Yasumi Matsuno moves to Level 5

1. Want to quickly check which digital distributor offers the best price on a given PC game? DDscout could be useful – I just discovered this site over the weekend. It allows you to compare prices across Steam, Gamersgate, Impulse, and more. You can also select your region from the US, UK and Europe (the man behind DDscout, Mr. Guido Wesdorp, told me that he plans to add Australia, too). Check it out if you’re interested!

 

2. Gamasutra reports that Yasumi Matsuno, the man behind Ogre Battle, Tactics Ogre, Final Fantasy Tactics, and FFXII has joined Level 5 Games, developer of Jeanne d’Arc (next in my PSP queue after I finish Persona 3). I really liked Tactics Ogre and Final Fantasy Tactics is one of my favourite games of all time, so I look forward to seeing what he’ll work on next.

Tactics Ogre: Let Us Cling Together – The Verdict

 

This is the fifth post in my series on Tactics Ogre. Check out my earlier impressions of the game’s character profiles; four things it does better than FFT (and one it doesn’t); how I used different character classes in battle; and an unfortunate mishap later in the game.


 

Introduction


 

Tactics Ogre: Let Us Cling Together, the 2011 PSP remake of the SNES/Playstation tactical RPG, is a labour of love, and it shows wherever you look. It shows in the game’s beautiful character designs and in its soundtrack, performed by an orchestra even though players might only hear it through the tinny speakers of the PSP. It shows in the sweep of the game’s plot; in the natural sound of its mock-Shakespearean localised dialogue; in the lovingly written character profiles given to even spear carriers; and in the fluff text accompanying every bit of terrain. And it shows in features such as what is, effectively, an in-battle autosave; a perspective that can switch from top-down to isometric; and the ability to jump straight to important points in the game’s timeline during a replay instead of having to redo everything from scratch, all of which speak to thought and effort put into eliminating annoyances.

 

The gameplay

 

Most importantly, the basic in-game task, moving party members around on the grid so they can attack or use their special abilities, feels satisfying. The balance between offence and defence feels just right – blows do enough damage (generally, squishies will crumple after a few good hits, whereas heavily armoured warriors can keep fighting for longer) to keep things moving quickly and maintain tension, but not so much damage as to turn the game into an exercise in luck or frustration. Positioning matters, too: archers can shoot farther from the high ground; front-line fighters project zones of control to prevent enemies from rushing past to the weaker characters; wizards may be unable to cast spells if friendlies are in the way.

 

In between battles, you’ll choose classes and skills for your party members – in broad terms, knights tank; archers and ninja are the main damage-dealers; and mages are used for debuffs and crowd control. Archers in particular are devastating, but as not even the mightiest archer will be able to stand unsupported, it remains important to maintain a good mix of party members*.  And here, the gameplay’s main flaw reveals itself – the levelling system fails to eliminate grinding. All characters of the same class will share a level, and switching classes will change a character’s level. This works better than the traditional system found in, say, Final Fantasy Tactics, since now you only need to level a class once. Unfortunately, not only do you still need to level newly unlocked classes (of which there are quite a few) from scratch, high-level NPCs in new classes will revert back to level 1 when they join the party! By the end of the game, I was leaving even interesting-sounding new party members on the bench, because my patience for grinding had run out. And that is a frustratingly imperfect element of the system.

 

The story

 

As a storytelling experience, Tactics Ogre reaches for greatness, but doesn’t quite get there. This is not because its creators were untalented or unimaginative. Instead of  a stew of quest fantasy clichés, they attempted to give us a tale of ambition, compromise, loyalty, and love, set in a land riven by feuding pretenders – “A Game of Thrones” for the JRPG genre, if you would. The player’s choices will then drive that story down one of three branches that recombine for the game’s final act.

 

At times, this works very well. Some individual moments, in their injustice, left me shocked and appalled. In another scene, a tyrant sounds all too human, all too real, as he attempts to rationalise his misdeeds. And a  dying foe might show a hint of nobility that leaves the question of what could have been. At other times, it doesn’t. One of the two storylines I played is noticeably better than the other, which is more black-and-white and doesn’t hang together very well. Once the storylines do recombine, the plot feels rushed: key characters act on inconsistent or poorly explained motivations, some of the later twists and turns pop up out of nowhere, and good luck getting the desired outcome from one vital story decision without a FAQ. And characterisation of party members suffers as a result of the gameplay format. There are dozens of potentially recruitable characters, so they can’t be given much time in cut-scenes. (While party members do influence the ending, you can only see one character’s epilogue per game, an incomprehensible hold-over from the Playstation version and a noticeable flaw compared to Valkyria Chronicles, a game that was far inferior story-wise.) Party members do get in-battle dialogue, but consistent with other TRPGs, there’s no ability to talk to them in between battles. And this is a pity, because the one brief scene I saw where several party members hang out in town, bantering and enjoying everyday life, was done so well that I’d have loved more moments like that.

 

The verdict

 

All in all, Tactics Ogre is a very good game, and close to the borderline with greatness. Gameplay-wise, this is the highly polished epitome of turn/party-based combat,  for all it ends up too grindy as it wears on. And story-wise, while it suffers from flawed execution, it aims high enough, and gets enough right, to leave me glad that I played it. If you like turn- and party-based RPGs, and you have a PSP, I would recommend this game.

 

* I’ve seen the point made elsewhere on the internet (on a forum or by another reviewer? I can’t quite remember) that this is in contrast to Final Fantasy Tactics, where the key was mixing and matching class abilities to create unstoppable characters.

 

You can buy Tactics Ogre: Let Us Cling Together from Amazon here.

 

I hope you enjoyed this post! To quickly find this post, and my other reviews, click the “reviews” tab at the top of this page.

 

The basis of my review

 

Time spent with the game: My playtime clocked in at around 80 hours, though there would have been times when I’d left the game on (either on AI control, or completely idle) while I did something else.

 

What I have played: The Chaos route, most of the Law route, the good ending, the first few minutes of the postgame.

 

What I haven’t played: The last few battles of the Law route, the Neutral route, most of the postgame content.

Persona 3 Portable’s setting: A pop-cultural window onto the world

This entry is part 3 of 8 in the series Persona 3 & 4

Compared to other RPGs, Persona 3’s modern-day world may seem mundane. The main character buys healing items not from armourers and apothecaries, but from the pharmacist at the shopping mall. He/she traipses through school hallways rather than half-sunken temples or bridges in the sky, and his/her haunt is the dormitory lounge rather than a castle.

 

But there are a couple of twists. First, Persona 3 is set in modern-day Japan, and to a Western gamer, odds are that will be at least a little exotic. The game takes place in the big city, so many of the differences will be muted. But there are some you’ll notice straight away. The dialogue is laden with “-san”, “-kun” and other Japanese honorifics. The main character can pray at a Shinto shrine, either to boost Academics before an exam, or divine his/her fortune and strengthen a relationship. School clubs are a Big Deal. There are even love hotels.

 

Second, Persona 3 contains a bunch of little touches that help preserve the internal consistency of that setting, and hence, the player’s suspension of disbelief. Trees change colour in between seasons. NPCs change their outfits depending on the weather and on whether they had school that day. But for something a bit more substantive, take the game’s scheduled exams, two sets a semester. They form part of the time management aspects of the game. They’re well flagged, in dialogue and on the in-game calendar. They do have an in-game effect. And so, it makes perfect sense that right before exam-time, your party members lock themselves in their rooms to study – leaving them unavailable for dungeon-crawling.

 

That said, Persona 3 mostly limits you to a single city, unlike the typical RPG, which has you travelling across cities and continents. While this is also consistent with the game’s premise – most high school students stay put in one place – it does mean that this isn’t really a game about the joy of exploration. Still, when the characters do get out of town, on holiday or on school excursions, the destinations are well-realised enough for me to delight in running around and talking to every NPC – and they’re also host to some of the funniest scenes in the game*.

 

How does that single city hold up over the course of the game? Pretty well (though not perfectly), actually, helped by the little touches and the odd change of scenery I mentioned above; by plot sequences that take place in new parts of the town; and by constant interaction with NPCs through plot sequences, other social encounters, and  even the periodically refreshed dialogue from nameless townspeople. That’s no small feat, after all the time I’ve spent with the game. I’m not that far from the end, now, and I‘ll be interested to see how the designers might wrap up the player’s experience with this world…

 

* Which, I suspect, owe more to anime tropes than to real-life Japanese culture.

Now this is inspirational – how one LittleBigPlanet fan was hired on as a developer

Talent + Hard Work + Opportunity = Success

 

The above formula is something of a truism, but in this week’s issue of The Escapist, I stumbled across a spectacular example in the video games industry: John Beech, a construction worker who hadn’t even finished high school, but who loved creating levels for LittleBigPlanet. His creations caught the eye of Media Molecule, the developer of LittleBigPlanet, and after seeing his levels in person, MM hired him on the spot: what Beech called “one of the best moments of my life”.

 

That article is well worth a read. Inspiring stuff…

 

(Note that the events chronicled happened some time ago – subsequent Googling reveals this Computerandvideogames.com article from November 2010 – but I believe they’re still worth highlighting.)

Could my dream of an open-world science fiction game finally come true? Prey 2

For years, I’ve wanted a really good, Ghost in the Shell-esque game that would let me wander around a futuristic city, gathering clues, wielding gadgets and hunting down evildoers. Now, it seems my wish may be granted: check out Gameshark’s E3 impressions of Prey 2 (published by Bethesda, developed by Human Head), described as a “science fiction, first person Assassin’s Creed” casting you as a bounty hunter in an alien city*. You can view a gameplay video below:

 

 

And here is a cinematic trailer:

 

 

The gameplay video mostly shows off taking cover and shooting, so I’ll be interested to see how other aspects of the game play out. Will the dialogue be well-written? Will the world be imaginatively designed and interesting to explore? (It doesn’t have to be Fallout 3, but I do expect at least some handcrafted little details.) How will investigation work?

 

We’ll find out in 2012, when Prey 2 ships.

 

* I understand this has little in common with the first Prey (a game which I never played, but which doesn’t seem to have left much of a mark) beyond the name.

Terraria first impressions: Patience seems to be required

Dig, fight, explore, build! Nothing is impossible in this action-packed adventure game. The world is your canvas and the ground itself is your paint. Grab your tools and go! – official Terraria blurb

 

I picked up Terraria, the 2D Minecraft-alike, over the long weekend, and I’ve spent a little bit of time messing around with it. So far, I can see how this could become either very addictive, or very tedious.

 

My first in-game day was a lot of fun. I knew I had to build shelter before nightfall, when monsters would come out, so that immediately gave the game a source of tension. I hacked down trees, dug away at the earth, and finally threw up a simple house for myself. It was satisfying to plonk each bit of wood down to form a floor, wall and roof, add a door, and build a workbench.

 

The problem became every day after that. Most games are built around offering the player a constant stream of rewards. In Civilization, this means building new farms and mines, researching the wheel or electricity, or completing a Wonder of the World. In RPGs, this consists of levelling up and recovering cool loot. And in Terraria, this consists of obtaining higher-grade ores that I can then use to craft better gear. Unfortunately, so far I’ve found very little in the way of decent ore. I have wood and stone aplenty; and I’ve found crumbs of iron and copper and even gold; but nowhere near enough to feel as though I’m actually making significant progress. So after several in-game days, or possibly even a week, my gear consists of a basic helmet and nothing more intimidating than a wooden sword.

 

Now, this issue undoubtedly arose from my inexperience leading me to “play the game wrong” (I’ve read the wiki and some forum threads, but I’m still very much learning as I go). I seem to be doing a little better now – tonight I found a cavern where I recovered some decent ore. But I was perilously close to boredom before I found that cavern, and I no longer have enough free time to be able to invest significant amounts of time in a game while I wait for it to become fun (or resume being fun). So the jury is still out….

E3, Days 3 and 4 – Enter the PC

The standout titles for me in the final couple of days of E3 were both forthcoming PC entries in the Paradox stable – one (Crusader Kings II) developed internally, one by a third party (King Arthur II: The Roleplaying Wargame) and published by Paradox:

 

Crusader Kings II: The sequel to Paradox’s 2004 feudalism simulator looks, and sounds, pretty good (see here for my uxorial misadventures with the original game). However, a one-minute trailer can’t address my biggest potential issues. One, will CK2 stay manageable over the course of the game? Or will the player be snowed under by an endless stream of pointless decisions about whether the fifth son of Newly Arrived Hanger-On Noble #987 should be taught by priests or soldiers? Two, Paradox games have always suffered badly from the typical strategy curse of the exciting early game giving way to the boring mid/lategame, and Shogun 2 addressed this well enough to spoil me for all other strategy games. A wait and see for me.

 

King Arthur II: Now this looks cool. Total War-style battles with the addition of AT-AT- sized giant insects and whole squadrons of dragons? Yes please! (As a bonus, it looks like the sequel’s art design will be every inch as cool as the original’s – check out this dev diary on the artwork for Morgana le Fay.) I didn’t play enough of the first game to form an opinion on its gameplay, but hopefully KA2 will live up to the promise of its visuals.

E3 2011 – Day 2 thoughts

So following Day 2 of E3 (or Day 1, if you exclude the pre-show?), here’s what stood out for me:

 

OnLive, the cloud-based game service, announced iPad and Android apps: This is not completely news – streaming games to tablets was one of Gamestop’s stated motivations for the Spawn acquisition; and last week, OnLive announced a unique controller that, it said, would work with tablets. And the collection of games on OnLive’s website is currently underwhelming – but that is not set in stone. I don’t know whether OnLive will be able to shift gaming towards a software as a service model or marginalise dedicated gaming hardware. I do think that it’ll be worth keeping an eye on those possibilities. (VentureBeat article, and video, here.)

 

Honourable mention goes to Nintendo’s Wii U – it’ll be interesting to see what developers can do with a controller that has its own touchscreen. If Nintendo region-locks the console, though, as it did for the Wii, that would likely be a dealbreaker for me.

One headline I’d like to see in a David Weber novel

The Honor Harrington series of space operas, by David Weber, features Space Commie bad guys who set out to conquer the galaxy when they realised their own treasury could no longer pay for bread and circuses to keep the mob happy. I can’t help but wonder, though, if events in the stories could have gone very differently…

 

***

 

BAILOUT IMMINENT FOR PEOPLE’S REPUBLIC OF HAVEN

 

This week, officials from the Interstellar Credit Fund arrived in the New Haven system to negotiate a bailout package for the People’s Republic of Haven. “We will never default on our debts,” said Chairman Pierre of Haven after meeting the ICF officials.

 

(PHOTO: The ICF delegation is greeted by anti-austerity protesters.)

 

Still, one policymaker close to the talks was sceptical. “Sure, the Havenites can trim their bloated defence budget,” said the policymaker. “Who do they think will invade them, anyway? But I question whether they have the political will necessary to reform their economy.” The source didn’t wish to be named, citing a lack of authorisation to speak publicly.

 

In other news…

E3 2011: Day One thoughts

It’s time for E3, the Electronic Entertainment Expo! The various gaming sites offer a wealth of detail, but most useful to me was VentureBeat’s quick, one-page summary of the highlights.

 

For me, a few things have stood out:

 

The PS Vita: Formerly known as the “Next Generation Portable”. As with all things Sony, this looks like a marvel of engineering – at first glance, its graphics seem equal to those on the PS3! Its price is also competitive with the 3DS: US$250 for the base version (with Wi-Fi only); US$300 for the version with 3G. Still, don’t throw away your PSP quite yet: the Vita lacks a UMD drive so you’ll have to download PSP titles via the PSN store – but not every PSP game is available via PSN. This goes doubly so if you import games, because titles available on the PSN store are segregated by region. So far, I’ve seen no Vita titles that are must-gets,; the catalyst for me to buy a Vita would be good RPGs and TRPGs (since that’s what I mostly play on my PSP).

 

Far Cry 3: Sadly, this has not stood out in a good way. I’m disappointed by its choice of setting: an island populated by various gun-toting crazies (including one mohawked guy who looks like a Fallout 3 escapee). This stands in contrast to Far Cry 2, which at least on paper, offered the grounded, “real world” setting of an African civil war, rather than the typical FPS thinly veiled setup for the Adventures of Angry McShootsALot. Granted, Far Cry 2’s gameplay didn’t live up to the theme – in practice, the absence of a faction system or any NPC interaction outside town meant that it boiled down to the Adventures of Angry McShootsALot anyway – but from my limited time with the game, I still really liked the attempt.

 

Bioshock Infinite: A game set in a steampunk/dieselpunk-themed city in the sky! Now that’s a cool premise. It didn’t hurt that the gameplay conceit of shepherding a female companion initially reminded me of Ico (though upon reading the details, it sounds a bit more like Prince of Persia 2008).

 

I’ll try to update as E3 rolls on, so stay tuned!

The price of heroism: storytelling in X-Com

This entry is part 5 of 7 in the series Storytelling in Games

Note: Storytelling in Dominions 3, part of this feature series, is available off-site. You can read it at Flash of Steel.

 

 

Almost every game out there casts the player as a hero: someone who accomplishes great feats in the face of extraordinary odds. By the time we finish, we’ll have vanquished tyrants, terrorists, aliens and ancient evils. But few titles have had gameplay mechanics that convey heroism better than X-Com: UFO Defense (aka UFO: Enemy Unknown), the 1994 strategy game from Microprose where you led a multinational force – soldiers, scientists, pilots and purchasing officers – against an alien invasion. And X-Com managed this without a single line of dialogue or scripted plot event.

 

First, being a squad-level game gave X-Com an immediate advantage: it was built around individual characters. It was individual characters whose stats, ranging from marksmanship to carrying capacity to reaction speed, you pored over at base. It was individual characters whom you controlled in battle, telling this one to take cover behind a wall, while his sergeant prepared a grenade and a tank scouted ahead. It was individuals you named for friends and colleagues (you could freely rename soldiers), individuals who saved the day with lucky shots and well-placed grenades, and individuals whose progress you followed as their stats and kill counts inched higher with every mission.

 

So far, so good. But I could say the same of any RPG, tactical RPG or squad-level game. Thus, while the focus on individual feats was necessary to X-Com’s storytelling appeal, it was not sufficient.  And this was where the “overwhelming odds” part of the formula became important.

 

For in X-Com, those feats came at a terrible cost in lives. Think of any science fiction scene where human soldiers plink away at armoured monstrosities, only to be slaughtered once the aliens open fire; that’s what the start of X-Com felt like, especially when the aliens showed up with heavy weapons. As your technology improved – once your soldiers started bringing home alien guns and grenades for your scientists to reverse-engineer, once your workshops began turning out armour made from the same material as UFO hulls – the situation did grow less dire, and by the endgame, the balance shifted decisively in favour of a human player who brought an “A” squad loaded with the game’s most powerful weapons.

 

Yet that lethality never completely disappeared, because even with the best armour in the game, one (un)lucky shot could still kill. You may have become better at preventing the aliens from ever getting the chance to move and shoot, but your finest marksman, your most seasoned veteran would die as quickly as the raw recruit once the aliens drew a bead on him or her.  As a result, this was one game where it was so tempting to reach for the reload button when something went wrong – but where it was equally rewarding to resist that urge. For it was that sense of overcoming the odds, of bouncing back from slaughter and catastrophe, which made victory in X-Com so sweet.

 

I remember Swordlily the sniper, a key player on my “A” team and one who steadily rose through the ranks. I gave her one of the most accurate weapons I had, and a suit of advanced armour to keep her intact. Then one day, an alien fired a shot right into the transport plane – where she should have been safe, at the far end of the troop compartment – and killed her where she stood.

 

I remember the time three soldiers, the last survivors of their ten-strong squad, straggled across a field to storm a giant UFO by themselves – and won.

 

I remember when the aliens came swarming in to assault an outpost manned by my “B” squad, undergunned and underskilled rookies. A guided missile sped around a corner and right into the midst of my defensive layout, turning half the squad to ash. One survivor, wounded and panicked, dropped her gun. But right opposite her was the less fortunate soldier who had carried my squad’s missile launcher. So on my next turn, once she pulled herself together, I sent her racing out of her hiding spot. Across the hallway she ran. With a few clicks, she grabbed the dead man’s launcher. With a few more, she returned fire with a missile of her own. And it worked. I salvaged that battle and saved the base. Not a bad accomplishment considering the odds – and it rested on one soldier’s courage.

 

If that isn’t a tale of heroism, one that X-Com made possible as so few other games could have done, I don’t know what is.

 

I hope you enjoyed this post! To quickly find this post, and my other feature articles, click the “features” tab at the top of this page.

Let’s Play the Empire: Total War Multiplayer Campaign – Episode II: Havoc on the High Seas, Losses in the Low Countries

When we left off with the first instalment of the Empire: Total War multiplayer campaign, Great Britain had held off the French at sea, while on land, the Dutch had driven a mighty French invasion force out of their homeland. What could possibly go wrong for Great Britain? (Wondering what this series of writeups is all about? Here’s the introduction.)

 

Read my  writeup, below, to find out…

 

***

 

The War of the World

 

At the start of the game, I had sent Britain’s shipyards into overdrive producing warships and merchantmen, and that pays off. With the defeat of the French fleet at the end of the first turn, this leaves the Royal Navy – and accompanying British ground forces – free to go on the global offensive, ready to make the world safe for tea, cricket and British trade.

 

Britain's targets in its initial Caribbean offensive

 

Britannia’s might lands most heavily in the Caribbean. The pirates, in their lairs at Antigua in the Leeward Islands and San Jose de Oruna in Trinidad & Tobago, learn that His Majesty’s soldiers do not know the meaning of the word “parley”. The undefended Spanish – formerly French – colony of Martinique surrenders without a shot.

 

To be sure, the Spanish computer player ensures that the naval campaign is not a one-sided affair. The Royal Navy takes its fair share of losses in a series of largely auto-resolved skirmishes in the Caribbean and in the East Indies. But when the smoke clears, the Spanish navy has been driven from the East Indies, leaving British trade fleets free to move in.

 

What’s Spanish for “‘tis only a flesh wound”? The Battle of the Invincible Frigate

 

When the Spanish fleet finally shows up in force in the Caribbean, my luck looks like it’s run out. Against my fifth-rate frigate and sloop, the Spanish have brought a frigate and sloop of their own, plus a galleon that tremendously outguns anything else on the field. My first response is to panic. And then, once the battle starts, I breathe a sigh of relief: the Spanish ships are damaged and missing most of their guns. It’s still not a done deal – even in its weakened state, the galleon is able to blow away my sloop when it strays too close.  Still, the frigate duel is as one-sided as I could have wished. I shoot away the Spanish frigate’s masts, destroy many of its remaining guns, leave its hull blackened and punctured. Yet the crew neither flees nor surrenders in the face of volley after volley of cannon fire. And, to add insult to injury, their morale remains high even as the ship rides lower and lower in the water.

 

The Ship of the Black Knights?

 

I am left wondering, over the in-game chat, what the Spanish sailors are eating for breakfast. It takes the outbreak of fire for the crew to abandon ship, by which time I am convinced that if they had been around 120 years earlier to man the Spanish Armada, history would have taken a very different course.

 

Disaster in the Low Countries (I): Never rely on a computer-controlled ally

 

Back in Europe, though, things don’t go quite as smoothly. When we left off, the French had been repelled at the gates of Amsterdam and John Churchill, the Duke of Marlborough, was leading a mid-sized force into what is today Belgium. The small Spanish garrison in Brussels falls quickly, and I turn the territory over to the Dutch. I feel well pleased with my raid! While my army doesn’t have the movement points to make it back to the sea on the same turn, I am able to withdraw my army so that it’s close by a friendly, smallish Dutch force. What could possibly go wrong?

 

As it turns out, plenty. The French army – numerically superior, even after its defeat at the walls of Amsterdam – moves in to attack Marlborough. The Dutch computer player, instead of taking up a good defensive position, charges out into the open field, and I follow suit, fearing the piecemeal annihilation of the allied armies. My infantry-short army lacks the numbers to shoot it out with the French, and I botch the timing of a cavalry charge at the French flank. When the dust settles, the British army in Europe is reduced to Churchill, a single artillery battery, and a handful of horsemen who escaped the rout. In an eighteenth-century version of Dunkirk, they slink back across the channel, and with them goes any thought of a quick land victory in Europe for Great Britain.

 

That did not go according to plan

 

Disaster in the Low Countries (II): Le Roi, Jeeeenkins!

 

Still, when the French army follows up on its victory by marching into the Netherlands and laying siege to Amsterdam for the second time, I am less than fazed. True, the Dutch are outgunned – the professional garrison is small, so most of the defenders consist of hastily armed townsfolk.  But as the first battle of Amsterdam showed, even armed civilians can put up a good fight from within the fortresses protecting the city.   “No problem,” I shrug. “I held off the French once, I can do it again.”

 

The turn ends. And the Dutch AI player abandons the shelter of its walls to attack the French.

 

The ill-fated Dutch sally

 

The resulting battle, trained and experienced French soldiers versus the Amsterdam mob on an open field, goes predictably. The best thing about the fight turns out to be a bout of unintentional comedy, when one Dutch regiment, retreating from the massacre, climbs the walls of its own fort to get back inside after the gates refuse to open.

 

Amsterdam falls soon after. And with that, Britain’s strongest ally is now out of the war. (Portugal remains in the fight, but is too far away to threaten France.) With the French in force across the channel – over the coming turns, they march out of Amsterdam and briefly lose control of the city, but retake it soon afterwards – and a mighty Spanish fleet of galleons crawling up towards the English Channel, I’m getting nervous. For all my successes overseas, the European theatre isn’t looking too good for the British Empire…

 

Unfortunately, at this point, we had to switch French players, as PC issues forced Peter Davies, our original France, to drop out of the game.  Stay tuned for the next update!

Frozen Synapse: A good first impression

Over the weekend, I picked up Frozen Synapse, a new, cyberpunk-themed indie squad tactics game, and so far I’m quite impressed.

 

First off, the actual game seems pretty cool. It’s stylish, with its green-and-red outline soldiers, blue backgrounds and futuristic music. It’s minimalist: there are only five unit types in the game. And it’s quick-to-play, due to the extreme speed at which units die off. But the real genius of Frozen Synapse is that turns execute simultaneously: the players input their orders, trying to guess what the other will do, and then they see just how little of their plans survived contact with the enemy (this synergises really well with the lethality of combat; one foe unexpectedly lying in wait can cut down half your squad). As a result, I get the impression that this is one of those “minute to learn, lifetime to master” titles.

 

The second area in which Frozen Synapse has impressed me is its multiplayer. This is one game where the basic concept – trying to anticipate what the other guy will do – is just tailor-made for playing against other humans, and the designers have taken advantage of that. The game’s multiplayer is asynchronous – i.e. players can take their turns at any time, upload them to the server, and load the latest turn when it’s ready – which makes it easier to work around clashing real-life schedules. And the designers were also shrewd enough to integrate a touch of Web 2.0 – at the end of a multiplayer match, there’s a handy button to upload a replay to Youtube.

 

The experience so far hasn’t been flawless. The documentation is practically nonexistent, even by my “never read the manual” standards; I had to visit a forum to find answers to basic questions such as “what are the units good for?” and “who shoots first if two units spot each other? Correction: the game is in fact pretty well documented by the readme file in the game directory. The playerbase is currently split amongst several different servers (which the designers have said is just a stopgap), and the servers themselves have a tendency to go down (for maintenance?) when I’m free to play in the evenings after work. Still, none of these issues has been a game-breaker for me – now I have found answers to my questions, and I could also play the single-player campaign or botmatches.

 

All in all, Frozen Synapse is definitely worth a look if you’re a fan of the game’s genre.  Check it out on Steam, Impulse or the developer’s website!

Let’s Play the Empire: Total War Multiplayer Campaign – Episode I: The War Begins (France)

The following post, by Peter Davies (aka Beefeater1980), playing France, is the belated first instalment in the Empire: Total War multiplayer campaign write up! Click here to see what it’s all about.

 

In this episode, Britain and France go to war on the high seas and in the Low Countries. Will one side score a knockout blow early on? Or will the war turn into an early stalemate?

 

Over to PD…

 

***

 

Here they come (Crick! Crack! Bang!), those red-coated, black-booted, musket-toting minions of a mercantile empire, flags waving and cannons bristling. In ETW, Britain has advantages to make a royal weep and hang up his ius primae nocti: unassailable home regions in Europe that can each churn out a land unit or several every turn; high-value ports, ready to knock out those sleek and deadly fifth-rate ships that will demolish the sixth-raters I can build in the time it takes to say ‘Hornblower’; and the most powerful alliance in Europe at its beck and call.

 

Against them stands France and my enviable record of five defeats and no wins against the campaign AI on ‘Normal’. Oh, and Spain as an ally: 10/10 for machismo but, in deference to Real Historical Fact, her glory days are behind her and she will lose interest a few years in, only to spend the rest of the game swigging Sangria and reminiscing about Pizarro and Cortes. Gentlemen, place your bets!

 

And yet. PS may have more and better ships and an invulnerable home base but the British army starts the game small and unimposing: France on the other hand has a solid core of infantry, cavalry and artillery in Europe itself and a huge income from her home regions – after a couple of turns I was pulling in around 8000 income per turn net despite a comprehensive trade blockade. If anyone can save the world from the fate of British hegemony, association football and the expression ‘eff off’, it is La Grande Nation.

 

Empire: Total War - The War Begins

LE PLAN: France is likely to fall behind Britain diplomatically early on, since my fleet is made up of a couple of bathtubs floating in the channel with only three one-eyed gunners between them. Unfortunately, the one thing CA didn’t mess up in programming this game was making the AI a vicious little jerk whose sole aim is to kick hard in the unmentionables the human player it judges to be weakest. Naval strength is a major component of that determination. Left to their own devices, Britain’s AI allies (Portugal, Netherlands and Austria) will declare war on me in the first few turns, leading to a three-front war on sea and land and a very, very short LP.

 

However, I have a cunning plan. Because my position starts uncertain, Peter S (who is a solid strategist) will probably expect me to try for a boom, building a couple of grant continental armies – he’ll never suspect a pre-emptive attack. This isn’t as crazy as it sounds: attacking in turn 1 will force Britain’s scary allies to make a snap decision on whether to join the war at a time when the calculus is more likely to be more favourable to me. This is why my first action in the game is to move my leaky little fleet to attack the nearest British armada, a move which goes swimmingly in the sense that the remains of my navy are now doing the breast-stroke back to Le Havre.

 

Empire: Total War - We are sinking, we are sinking

 

A SHAMEFUL DISPLAY! Over the next couple of turns, PS moves his fleets into both of my northern ports, leaving them smoking ruins. However, what we lose on the swings, we gain on the roundabouts. Austria and Hanover – the only land powers in Britain’s coalition – decided that they had better things to do than get in a bust-up with my army and have said ‘Nein’ to this war.

 

On the home front, while conventional wisdom is to tear down those religious schools as soon as possible and replace them with hotbeds of radical study so as to speed off down the tech tree. I want to see if the additional tax and stability I get from keeping Europe Catholic can outweigh this, so I’m following the Jesuit path for now. It will be interesting to see how this pans out.

 

DIPLOMACY: Diplomacy? Diplomacy! I’m worried about protecting my American colonies, since I need all my resources for the struggle in Europe. To get around this, I sell a few of my less wealthy colonies to Spain for 1000 / turn over 10 turns. It’s probably not a great deal, but it’s better than trying to extract income from provinces I can’t reliably hold.

 

Over the next couple of turns, I start my army marching on Amsterdam. My initial plan was to carry out the siege for the full 5 turns, but immediately after deciding to end turn 4, I get a bad case of invader’s regret; now that he’s smashed my fleet, PS probably has an army inbound and, while it’s not going to be as big as France’s, if it catches our force at the walls of Amsterdam, my only army is going to be ground into so much mincemeat. Since I have more artillery than the defenders, I will try an assault next turn, and hope that it it goes badly I’ll have enough of a force intact to hold off a British counterattack until reinforcements get there.

 

Drawn up before the walls of Amsterdam. Imposing, aren’t they.

 

Empire: Total War - The French at the gates of Amsterdam 

 

Onward for France! They charge, they charge…

 

Empire: Total War - Here Come the French

…and they retreat, as natural to my troops as eating frogs and cruelty to geese.

 

Empire: Total War - The French Retreat
So, yeah. That went well. At least the army didn’t get totally smashed. To add insult to injury, as my battered soldiers flee in disarray from the walls of Amsterdam, PS has landed a large army under the command of John Churchill, aka 1st Duke of Marlborough, aka the Mindelheim Murderer, who eats Parisian babies with his morning breakfast and cleans his teeth with toothpicks made from the bones of French grenadiers, to besiege Brussels. I try to console myself with the knowlege that it would have been even worse if the army had attacked while I was besieging Amsterdam, but it doesn’t help.

 

Things are looking bleak for L’Hexagone.

 

Next up, in Episode II, the Royal Navy goes on the offensive around the world  — but closer to home, events proceed a little differently…

When is the premise of a story too ridiculous for you?

Here’s another question for you guys: When do you find a work of fiction’s (book, game, etc) premise so ridiculous that it prevents you from picking it up?

 

For me, as a science fiction/fantasy/anime/video game geek, an open-minded attitude towards far-fetched concepts comes with the territory. I mean, I’m currently playing a game about demon-fighting schoolchildren who summon their guardian spirits by pantomiming suicide! Even by JRPG standards, that has to take the cake for bizarreness. But on this blog, I’ve also mentioned a TV series about people who cross the galaxy by walking through wormholes, a time-travel-steampunk American Civil War game, and an anime about a biplane-flying pig, none of which cause me any problems.

 

Yet  one concept never fails to make me howl with disbelief: a foreign power invading the continental United States (most famously, Red Dawn). Aliens with the technology to fly dozens of light-years are landing on the White House lawn instead of lobbing giant rocks from orbit? No worries! Giant two-legged robot lizards are tearing up California? Pass the popcorn! But the moment the first jackboot touches down on American soil, having apparently teleported past a US Navy and Air Force that are the most powerful in human history, is the moment I say, “Not interested.”

 

The underlying principle here is similar to the Uncanny Valley. Just as we are repelled by robots and animated characters who look like humans, but aren’t quite right, so I roll my eyes at settings that are obviously meant to be the real world, but aren’t quite right. In other words, I have a much higher threshold for suspending disbelief in real-world settings, and these scenarios (as with any other that suggests the author failed to grasp the basics of a real-world issue, whether it’s politics or a financial crisis) fall egregiously foul of that. And that is why it will be a very long time before I ever look at THQ’s Homefront, not to say Red Dawn itself.

Roleplaying and time management in Persona 3 Portable: Who says there’s no roleplaying in JRPGs?

This entry is part 2 of 8 in the series Persona 3 & 4

As far as I can tell, the core of Persona 3 (refer to my initial post for the premise of the game) is its dungeon-crawling RPG combat. From a min-maxing perspective, the other, social aspects of the game ultimately seem to boil down to the bonuses they confer in the RPG element*. Even raising the main character’s stats by studying, singing karaoke or going to trendy coffeeshops will ultimately affect his/her ability to strike up relationships with certain other characters, which in turn, affects the bonuses carried into the dungeon crawl.

 

Note my use of “as far as I can tell” and “seem”. Except when looking up specific, narrow questions, I’ve departed from my usual RPG practice by minimising my use of FAQs for this game. And that is because Persona 3 is the most I’ve ever roleplayed in a single-player RPG. Back in my “intuitive gameplay” post, I talked about two different ways of looking at a game – as a set of rules to be mastered; or as a story to be acted out. And there is a certain tension between those two mindsets: when I can see that the “optimal” choice is grossly out of character, “unrealistic”, or ”ahistoric”,  this hurts my suspension of disbelief. For Persona 3, I’ve gotten around this by simply not looking up the optimal choices.

 

So, free from concern about min-maxing, I’ve been spending the game’s precious resource, time, in a way that best brings the “Japanese schoolkids” theme of the game to life. My main character, Arthur, raises his Academic stat by paying attention in class, praying at the local shrine in the afternoon, and studying in the evenings, not because I think it’s optimal, but because it’s what I think he would/should do. He raises his Charm because that stat will be used in his relationship with one of my favourite NPCs in the game, and if I want to see that dialogue, so does Arthur. And he spends his time with people whose company he enjoys, not necessarily those who’ll give him the most useful bonuses. (The one time powergaming concerns drove me to hang out with a NPC I found annoying, I imagined Arthur gritting his teeth and making noncommittal remarks the whole time.) It’s a liberating feeling to simply play “naturally” and focus on my favourite character interactions, without worrying about the minutiae of builds, boosts, and seeing every last bit of content!

 

About two and a half months have elapsed since the start of the game. Arthur is all set for a certain storyline event in a week’s time, and he’s well on track for his exams in two weeks…
* Specifically, social links will affect the EXP/levels of your created “personas”, the spirits that do the heavy lifting for you in battle.

Persona 3 Portable: A promising start

This entry is part 1 of 8 in the series Persona 3 & 4

Plan for the day

Morning – Go to school.

Afternoon – Hit the books.

Evening – Fight monsters?!

 

The average high schooler who thinks his/her life is in turmoil has nothing on Arthur, my name for the hero of Persona 3 Portable. It’s not just that he’s a transfer student, the new kid in school. For Arthur is one of a handful with the ability to fight the “Shadows” that rob people of their will to live, and so, despite his tender age, the fate of the town is in his hands.

 

Not wholly in his hands, luckily. For backup, most visibly, Arthur has the schoolmates with whom he goes dungeon crawling – the friendly Yukari, Junpei the class clown, and cool older kids Akihiko and Mitsuru. They’ve proven their worth so far, Yukari with her healing and wind magic, Akihiko with his fists and lightning magic, Junpei with his whacking great two-handed sword, and Mitsuru radioing in directions and calling for backup if the team gets separated.

 

But building social links (“S-Links”) to others will also boost Arthur’s inner powers, and there are a lot of potential friends he can make: the elderly couple who run the local bookstore, the little girl who hangs out at the shrine on Saturdays, his buddy from the kendo team, even the person he plays MMOs with on the odd Sunday.  He doesn’t know anybody especially well yet, but he’s made a decent start.

 

It’s only been a little over a month since Arthur moved into his new school and discovered his powers, but he’s settling in well. He’s aced his midsemester exams (for which Mitsuru owes him a present). He’s making a fair few new friends. And last but not least, he’s defeated several tough bosses and plenty of lesser foes. Things are looking up for our young hero – and they’re most definitely looking up for Persona 3 Portable.

 

Xenonauts, the fan X-Com remake, draws closer to completion

One indie game project I‘ve followed for a while is Xenonauts, essentially a fan remake of one of my favourite games: X-Com (which I played under its UK title of UFO: Enemy Unknown), the strategy game where you led a secret government organisation against an alien invasion. Many of Xenonauts’ bullet points seemed promising, from a backstory tweaked to explain the familiar X-Com starting position, to the addition of a feature I’d always wanted, allied NPC human soldiers. Still, I was cautious. Would the project simply turn out to be vapourware? Even if it did come to fruition, well, X-Com clones generally haven’t been well received.

 

Well, today, I saw a developer diary on PC Gamer that highlights the current state of one of the two main game modes, ground combat – and I was impressed. The basic gameplay – moving your soldiers around, taking cover, shooting it out with aliens, using tanks and rocket launchers as support – is in place, although the art assets aren’t all there and the game balance is still a work in progress. I’m not a huge fan of the tile graphics, but the unit sprites themselves look pretty good. And a glance at the Xenonauts website, which I hadn’t visited in some time, indicates that much of the game’s other key component, the world map, is also in a playable state (for example, air combat, base building, and R&D are all present).

 

The finished product could still fail to work out, but after seeing the latest coverage of Xenonauts, I do have more confidence that it will see the light of day. For fans of the original X-Com, this is one title to keep an eye on as it draws closer to release.

 

(Link to PC Gamer courtesy of No High Scores)

Section 8: Prejudice – First impressions

Over the weekend, I had the chance to spend a few hours playing Section 8: Prejudice (see here for my “looking forward to…” post in which I mentioned the game), and so far I like it quite a bit. Here are some specific thoughts:

 

  • The game’s pacing feels about right. It plays quickly enough to have a joyous, madcap feel, and it doesn’t take long to get into the action. Power-armoured soldiers blaze across the map only to be cut down by in a volley from entrenched defenders, while respawning players take a mere 6-7 seconds to drop down from the sky. That said, the game is also just slow enough for me to keep up.

 

  • I really like how well the game accommodates players like me, who are terrible at the actual running and gunning in shooters. There are plenty of fun things I can do instead – I can indulge my specialty in video games, fortification, by patrolling the base, throwing down turrets in key locations, and repairing defences when necessary. I can equip myself to take out enemy turrets or outposts (which are easier prey than other players…), I can repair teammates’ vehicles, and so on.

 

  • And on that note, one area where I do seem to have an edge on random online players is teamwork and tactics. In one match, I thought I was the only guy who had ever heard the words “repair”, “fortify”, or “convoy”, and it’s a pain when other players capture an objective and charge off to the next one, only for the enemy to waltz back in and recapture the undefended objective. None of this is surprising, but still…

 

  • I also like the ability to call down vehicles as a match progresses. Not only are the vehicles themselves – a hover bike, a mech, and the holy of holies, a tank – pretty cool, but saving up for vehicles gives me something to look forward to.

 

So far, so good…

What I’m anticipating – May 2011 edition

Currently I’m in something of an entertainment downtime. I finished Tactics Ogre a week ago, and I’m replaying it at a leisurely pace to see one of the other storylines, but I’m not particularly engrossed in any works of fiction at the moment. Starting next week, this should change, as I have some new toys in the pipeline…

 

Already bought, waiting to arrive:

 

Section 8: Prejudice (multiplayer first-person shooter, PC) (Metacritic) I’m not much of an FPS player, and this goes doubly so for multiplayer. But I’m making an exception for Section 8 – it comes highly recommended; it’s cheap (I paid US$13.50); and most importantly, it’s supposed to have very good bots, so I should be able to have fun playing single-player or cooperatively (as I’ve discussed with some of you guys!). Downloading this via Steam as we speak.

 

Jeanne d’Arc (fantasy tactical RPG, PSP) (Amazon; Metacritic) – As you probably guessed from all my Tactics Ogre coverage, tactical RPGs’ blend of RPG storytelling and squad-level strategy gameplay makes them one of my favourite game genres. Jeanne d’Arc, a fantasy game very loosely inspired by the historical heroine, is supposed to be a very good example of its genre; it’s also pretty rare, so when I saw it on sale for a pretty good price, it was a no-brainer to snap it up. My copy should arrive next week.

 

Persona 3 Portable (urban fantasy RPG, PSP) (Amazon – the US release, not the European collector’s edition I ordered; Metacritic) The PSP port of a widely acclaimed PS2 RPG, in which the protagonist must juggle daily high-school life with periodic monster-fighting expeditions. While the juxtaposition of high school and life-and-death conflicts always annoys me in anime, I’m very much looking forward to seeing how this plays out in a game. This should also arrive next week.

 

Already pre-ordered, waiting for release:

 

A Game of Thrones (fantasy TV series) – HBO’s adaptation of my favourite fantasy novels. Filed under “pre-ordered” because I subscribe to the cable channel that will eventually (in July) broadcast it in Australia.

 

Sins of a Solar Empire: Rebellion (space opera RTS, PC) – I wrote this up in more detail back when it was announced. In addition to the usual expansion pack offering of more, and bigger, spaceships, this also comes with “new victory conditions”, which I hope could deliver a better late/endgame to Sins.

 

Will definitely buy when released:

 

A Dance with Dragons, by George R R Martin (fantasy novel) (Amazon – free shipping for Americans!) The long-awaited next instalment in the aforementioned favourite fantasy series.  I’ve waited almost six years for this book, and there’s no way I’m passing on it.

 

May or may not read/buy:

 

The Heroes, by Joe Abercrombie (fantasy novel, paperback edition – book itself has been out for a while) (Amazon): I remember seeing this book described as the “Rashomon effect” applied to a single fantasy battlefield. Abercrombie is a skilful author and I greatly enjoyed his previous books, but their extreme bleakness is starting to wear on me. I’m not sure if this book will have anything to say about the human condition that Abercrombie didn’t give us in his previous two books. We’ll see…

 

The Wise Man’s Fear, by Patrick Rothfuss (fantasy novel, paperback edition – book itself has been out for a while) (Amazon): Second book in a trilogy that I’ve seen described as “Harry Potter for grown-ups”, about the adventures of Kvothe the omnitalented wizard. The books have generated a fair bit of internet buzz, and I enjoyed the first book at the time, but subsequently I can barely remember a thing about book 1. Another “maybe”.

A Game of Thrones’ bleakness, revisited

HBO has now aired three episodes of Game of Thrones in the US, and while it doesn’t show here until July (in time for A Dance with Dragons!), I have been following the discussion anyway. I am not at all surprised that some viewers characterise it as a bleak show — but I think this is an opportune time to dredge up my post from last year asking whether the franchise is really that grim.

 

(I don’t think the following vague comment counts as a spoiler, but just in case…)

 

Yes, it is violent. Yes, bad things can happen to people who deserve better. No, it is neither hopeless nor nihilistic, and that, to me, makes all the difference.

 

(And no, I don’t think this just means I have extreme standards for what counts as “bleak”…)

What are your favourite genres?

I have three questions for you guys reading this:

 

1.     What are your favourite genres in any medium (games, books, TV, movies, etc)?

 

2.     How have these changed over time?

 

3.     And why have these changed over time?

 

In my case, when it comes to games, I spend most of my time playing strategy and RPGs, but I’ll dabble in almost anything except sports – and many of my favourite games, such as Star Control 2, Okami, and God Hand, are neither strategy nor RPGs. My tastes were even broader when I was younger – I grew up playing Civilization and SimCity 2000, but also everything from Street Fighter 2 to Zelda: Link to the Past and Herzog Zwei. The subject matter of a game, more so than its genre, is what usually interests me, and it just happens to be the case that the narratives/historical periods/imaginary worlds that I find most appealing tend to be in strategy and RPGs.

 

When it comes to every other form of media, if you asked me one or two years ago I would have called myself a pure science fiction/fantasy buff, but since then I have identified less and less with that genre. Most of my recent book purchases have been history books, always a love of mine, and what fiction I have read has increasingly been historical fiction. I read these to satisfy my growing interest in trade, prosperity, the course of empire and the slow birth of the modern world, and these are issues for which I find speculative fiction increasingly irrelevant.

Total War: Shogun 2 – The Verdict

This entry is part 3 of 10 in the series Total War: Shogun 2

This is the third post in my series on Shogun 2. You can find my early impressions here and my write-up of the game’s diplomacy here.

 

 

Total War: Shogun 2 is the latest entry in Creative Assembly’s grand strategy, conquer-all-before-you franchise, and its core strengths are those of the series as a whole. Play Shogun 2 for making you feel a master strategist as you build cities; develop farms and mines; raise armies and march them across a beautifully drawn map of Sengoku Japan. When those armies meet, play Shogun 2 for making you feel a natural general as your samurai flow across the battlefield with an easy click of the mouse. Play Shogun 2 for the tension as you wonder how long your beleaguered men can hold, and for the thrill of triumph as you tilt the balance with one well-timed charge.

 

But unlike its predecessors, Shogun 2 offers more than that, for this is the game where Creative Assembly applied the lessons learned from earlier missteps. Where previous Total War titles started strong but wore out their welcomes with boring late games, Shogun 2 is about planning and preparing and gathering momentum for a decisive endgame showdown. Where previous Total War titles were aptly named because diplomacy was so dysfunctional, Shogun 2 makes diplomacy not only viable, but a vital part of the preparation for that showdown. Where previous Total War titles were buggy and often crash-prone, Shogun 2 seems much more stable. Where previous Total War titles suffered from risibly inept AI, Shogun 2’s computer opponent appears more capable (though it still sends generals on suicidal cavalry charges, while failing to repair ships). Last but not least, where it was painful to keep track of a growing empire in previous Total War titles, Shogun 2 offers a far more user-friendly and better-documented experience.

 

In technical terms, then, Shogun 2 is a very good strategy game, one from which other developers could learn, and one that benefits from being built upon the foundations of previous mistakes. It even nails pacing and diplomacy, two elements that strategy games struggle to get right. The question of whether it is a great game is more subjective. As a game, Shogun 2 is so much better implemented than Empire: Total War that it makes me sad for the wasted potential in the latter, but I will still cherish how Empire brought to life a pivotal historical period and the real-world importance of seapower. Shogun 2 sheds no such light for me, but this is more a function of my own interests* rather than being any fault of the game’s. All in all, I would recommend Shogun 2 to any strategy gamer (especially one interested in the Sengoku era!) who would like to see the series’ core mechanics at their most refined.

 

*  While I am interested in Shogun 2’s subject matter, the Sengoku era in Japan, I am even more interested in Empire: Total War’s scope and subject matter: the Enlightenment, the wars of the eighteenth century and the dawn of the modern world.

 

You can buy Total War: Shogun 2 from Amazon here.

 

 

I hope you enjoyed this post! To quickly find this post, and my other reviews, click the “reviews” tab at the top of this page.

 

 

The basis of my review

 

 

Length of time spent with Shogun 2: Roughly 29-30 hours’ playtime (adjusted for time spent away from the keyboard).

 

What I have played: Two short campaigns (one aborted as the Oda, one won as the Shimazu), two historical battles, several custom battles, several “classic mode” multiplayer battles.

 

What I haven’t played: The avatar conquest multiplayer mode, the multiplayer campaign.

Announcing my new non-fiction blog: The Optimist

How has the material wealth of England compared to that of China over the last 2,000 years?

 

What book would make for a good introduction to the geopolitics of the Indian Ocean?

 

And what could rainfall have to do with democracy?

 

Matchsticks for my Eyes’ new sibling blog, The Optimist (www.petersahui.com/optimist), examines these questions and more!  While Matchsticks for my Eyes is about “stories in all their forms”, The Optimist is its non-fiction counterpart where I discuss books or research that has caught my eye.

 

Join me at The Optimist as I set out to learn more about our wonderful world – one book, article or paper at a time.

Total War? Only for the undiplomatic: the lessons of Shogun 2

This entry is part 2 of 10 in the series Total War: Shogun 2

Update: You can find my verdict on Shogun 2 here.

Total War: Shogun 2: A diplomatic victory, but not in the way you’d think

I’ve now finished the Total War: Shogun 2 campaign (short length, Hard campaign difficulty and Normal battle difficulty, playing as the Shimazu), and I can update one of my earlier impressions. In my previous post, I mentioned that getting too close to the finish line would trigger “realm divide” – a final showdown, with “almost every single computer player in the game [declaring] war” on the human.  It turns out this is not quite correct: even after realm divide I was able to stay on good terms with several allies both large and small. How did I pull this off?

You see, realm divide’s effect is indirect – it works by lowering the human player’s relationship with the AI  players. This negative modifier is big to begin with, and grows turn after turn after turn (there is a cap, but it’s ridiculously large). When that relationship becomes sufficiently negative, the computer will declare war1.

The trick, then, is to pile on every positive modifier possible. Research techs (such as the tea ceremony) that grant a bonus to diplomacy, and keep your daimyo’s honour high so everyone will be more fond of you. Then bribe your chosen buddies to get the ball rolling. Once they’ll agree to it, wed their daughters (or vice-versa) for another, large positive modifier. Strike an alliance for a further boost to relations. Exchange hostages – in my case, an eight-year-old grandson – for yet another boost. And for good measure, declare war on their current enemies (you’ll fight them anyway once the realm divides) for a final bonus.

The net effect: I never had to take on more than a handful of enemy factions, and the ones I did fight were usually busy with wars on other fronts as well! Good relationships bought me the time to win the game before my allies, too, turned on me.  In other words, diplomacy made the final war manageable before I fired the first shot. That is how it should work in a game like this.

How Shogun 2’s diplomacy stacks up to other games

Seeing diplomacy done properly in Shogun 2 underscores how weak it was in the previous Total War games. Afterwards, I loaded up Empire: Total War – from 2009, just two years ago – to compare the available diplomatic options, and boy, has Shogun 2 come a long way since then. Empire has barely any tools I can use to influence a relationship – I can give gifts, I can return land, and, uh, that’s about it – and the options which are there, in my experience, do not work nearly so well as they do in Shogun 2. Suicidal computer players, ahoy!

Shogun 2 also showed up the weakness in the diplomatic system of another game, one you might not immediately think of: Civilization V. Its predecessor, Civ IV, is much like Shogun 2 in that it provides plenty of ways to butter up a computer player, from trade to missionaries and shared faith to open borders. Civ V is a big step back from that. It offers a bare handful of ways to influence a relationship (I can sign “declarations of friendship”, denounce people I don’t like, and… what else?); those features present are poorly documented; and the computer’s attitude can feel infuriatingly random. This was not helped by a design decision to make diplomacy feel more like interacting with other humans – who are explicitly out to win, who are harder to read, and who are more prone to treachery – and less like the application of a game system. Firaxis undid some of the damage in a patch that allowed you to see some of the factors underlying the computer’s attitude, but the lack of diplomatic tools remains. The overall result, as I wrote around Christmas 2010, is an unpleasant throwback to Civ I, a game that’s 20 years old this year.

In contrast, Shogun 2 does appear to owe something to another game renowned for its diplomacy: Galactic Civilizations II, the 2006 4X game from Stardock. I only played a moderate amount of GalCiv2, but I did observe that like Civ IV and Shogun 2, it offered plenty of tools to influence relationships – including techs that conferred a bonus to diplomacy, an idea that Shogun 2 may well have picked up from here.

What makes Shogun 2’s diplomacy work – lessons for other strategy games

What underpins the successful diplomacy in Shogun 2 is the clear link between investment and payoff. In an RPG, if I spend points on my speech skill, that visibly pays off when I unlock new dialogue options. In Shogun 2, if I spend my money raising an army, that visibly pays off when I take my new recruits and use them to conquer my neighbour. And in Shogun 2, if I spend my money on bribes/gifts to other factions, my in-game time researching the tea ceremony when I could be researching gunpowder, and my real-world time messing around in diplomacy screens, that visibly pays off in a secure border and healthy profits from trade.

In turn, this is the result of both successful design and execution. From a design perspective, Shogun 2 provides players with a whole menu of options, most of which involve a tradeoff of some kind (the “investment” part of the equation), while making it very difficult to take on everyone at once in the endgame, especially in the absence of trade income (the “payoff” part of the equation). And from an execution standpoint, these tools work because the diplomatic AI in Shogun 2 is not – at least, in my experience so far – the spiteful and bloody-minded brute that it is in so many other games. Offer a good enough deal, and it will accept. Treat it well enough, and it will be your staunch ally for years.

The benefits to gameplay are real. Good in-game diplomacy means less whack-a-mole, more choices, more strategy. More intangibly, it contributes to immersion and suspension of disbelief. RPGs have party members and non-violent quest solutions, adventure games and shooters have sidekicks and snappy dialogue, Gondor had Rohan, and strategy games should have proper alliances. If even so martial a game as Shogun 2 can succeed here, then other strategy games should follow suit and offer us the rewards of jaw-jaw.

  1. I believe, but do not know for a fact, that realm divide makes the computer more willing to go to war when the relationship is negative (whereas pre-realm divide, a computer player that hates my guts may be more willing to keep the peace). This is conjecture, though, based on how quickly the computer is willing to attack, post realm-divide, once the relationship becomes low enough.

Matchsticks for my Eyes moves to a new address – please update bookmarks, RSS feeds, etc

This weekend was a big one for this blog! Matchsticks for my Eyes moved off WordPress.com and to its own site. The new address is https://www.matchstickeyes.com.

 

If you came here by typing the old address into your browser, following a link, or by loading a bookmark, you should have been automatically redirected to the new site. In fact, you should not have noticed any differences. Just update your link or bookmark with the new address.

 

If, however, you came here via RSS or email subscription, you may need to resubscribe at the new address. I will no longer update the old site and posts may not come through on the old feed.


Thanks for all your support! I hope to see you around at the new place.

Tactics Ogre: A tragic misunderstanding

This is the fourth post in my series on Tactics Ogre. Check out my earlier impressions of the game’s (1) character profiles; (2) four things it does better than FFT (and one it doesn’t); (3) how I used different character classes in battle; and (5) my verdict on the game.

 

The legend of King Arthur reaches its tragic end at the battle of Camlann, one that could have been avoided but for a stroke of ill luck. Arthur and his foe Mordred, so the story goes, sat down to negotiate. Their armies looked on, ready to pounce in the event of treachery. Sure enough, one knight pulled his sword – but it was to strike at a snake, not the king. It did not matter. The armies saw the steel, not the snake. And when it was over, Mordred was dead and Arthur lay dying.

 

Certain events in Tactics Ogre, though far, far less drastic, reminded me of Camlann all the same.

 

(Minor spoilers follow.)


At one point in Tactics Ogre, the story calls for the main character to set off on a parley. But I didn’t do this immediately. It took me a couple of hours of real time to get around to it—for one, I had to fight another story battle, and I think I must also have spent some time grinding in random battles, crafting, or rearranging my party.

 

Upon finally making it to the negotiations, up popped the party selection screen – the same one that comes up before every battle. “Hmm,” I thought. After all, Tactics Ogre is a tactical RPG – battles are the meat and potatoes of the gameplay. The obvious implication was that the day would end in bloodshed. So I did what I always do when I see that screen: I sent in the hero plus a full complement of party members, all of them armed like medieval Rambos. Sure enough, the resulting cut-scene showed the situation degenerating into violence. I shrugged, mowed down my foes, and moved on with the story.

 

And then, several days later, I learned from GameFAQs that the bloodshed could have been avoided, had I sent in the hero alone and unarmed.

 

“Wait a minute!” I thought. “How on earth was I supposed to know to do that?!” But something still bothered me. Maybe the game had given me the appropriate hint, and I’d just forgotten about it?

 

So I went back to re-watch the cut-scene before the hero left for his ill-fated parley. And sure enough, he did say that he should go alone and unarmed.

 

Oooops.

 

The game’s developers had indeed given me a hint about what to do, and I had indeed forgotten during the time it took me to get around to the parley. But even if I had remembered that line of dialogue, it would have been undermined by the game having conditioned me, by that point, to expect a fight after seeing the “party selection” screen. So moral of the story #1 is to reaffirm the hidden danger to taking time off from a game’s plot. Moral of the story #2 is, when gameplay mechanics train the player to do X in a given situation, designers should be wary about then expecting the player to do Y instead. This would all be small comfort to the generic enemies who lay dead in the snow. Sorry, guys, I’ll be sure to spare your lives on my next run!

 

At least I got an in-game title, “Bloodstained Hero”, out of the affair…

Shogun 2 impressions: THIS is a difficulty spike

This entry is part 1 of 10 in the series Total War: Shogun 2

EDIT: I’ve since won the Shogun 2 campaign! You can find my updated views on diplomacy here, and my verdict on Shogun 2 here.

 

 

A while back I declared that I’d hold off buying Shogun 2, but in the end, positive reviews and word of mouth, even from skeptics of the series, were enough to change my mind. I’ve now played an abortive campaign as the Oda on Normal, and I’m in the early-to-midgame of a Shimazu campaign on Hard. What are my impressions the game now that I’ve had the chance to play the full version?

 

For starters, two points were quick to jump out at me:

 

1. Shogun 2 is much more user-friendly than its predecessors: Compared to the earlier games, Shogun 2’s interface makes it much easier to keep track of your empire. In Shogun 2, a handy panel on the right-hand side of the screen that allows you to quickly jump to any army, province, fleet, and so on (a little bit like the information panel in Europa Universalis III). Previously, you had to open up separate menus to access this information; now, not only is it more convenient to access, it makes it much easier to hop between locations on the map. And Shogun 2 also makes an effort to better document itself: the various unit blurbs and statistics are now collated in the in-game encyclopaedia.

 

2. The diplomatic AI lives on the same planet as the player (on Normal difficulty): One issue endemic to strategy games is computer players that just will not say die. Their armies can be shattered, their homelands aflame; no matter, when you drag them to the negotiating table, they’ll demand your firstborn. But my Oda game was an overdue exception – if I beat a rival clan badly enough, they’d come to me begging for peace, and once I was even able to use diplomacy to demand a beaten clan become my vassal. I am not sure, however, whether the diplomatic AI is always sensible on the higher difficulty levels; in my Hard Shimazu game, AI players have a stubborn tendency to outright refuse (without even making counter-offers!) to sign trade agreements with me. (That said, even on Hard, the AI will surrender when it knows it’s beaten.)

 

And as I played more of the game, a more fundamental difference jumped out at me. My standard gripe with the Total War games – again, as with many other strategy games – is that they’re challenging for a few turns, then I break out of my starting position and snowball until I grow bored and quit.  Shogun 2 changes this formula in two ways: it’s both shorter and sharper.

 

3. In Shogun 2, the short campaign really does seem short: The short campaign requires the player to conquer 25 provinces, including Kyoto – and in about five or six hours of play as the Oda (and auto-resolving trivial battles), I wasn’t far off from the 20-province mark. I think that a skilful player, on Normal, could finish the short campaign over a single weekend, which is a pleasant change from long slogfests. However, in order to finish, you’d have to survive the endgame. And that leads me to my next point….

 

4. This game is the textbook example of a “difficulty spike”: All too rare in grand strategy games, Shogun 2 finishes with a bang rather than a fizzle. This is how my Oda campaign, on normal, compares to the other Total War games I’ve played:

 

Shogun 2 - the difficulty spike is not an exaggeration
Shogun 2 - the difficulty spike is not an exaggeration

 

Remember the win condition in the short campaign is to capture 25 provinces including Kyoto? Well, when you draw too near to victory by capturing 20-odd provinces (the precise number can vary) or Kyoto, that is Shogun 2’s “crossing the Rubicon” moment. This triggers a “realm divide” event that will make almost every single computer player in the game declare war on you. Allies, trade partners, neutrals, formerly subservient vassals, even clans all the way on the other end of Japan – all of them will soon be at your throat. UPDATE – I have corrected this observation; refer to my post on the game’s diplomacy.

Now, from a thematic perspective, I like this a lot, for the same reason that I liked the noble lords dashing for the capital at the end of an old strategy game, Emperor of the Fading Suns. From a game structure perspective, I like this, too – I’ve argued before that games should build to a climax, and showdowns don’t come much more climactic than Player vs Everyone Else.

But a clever difficulty spike is still a difficulty spike. My Oda game went from “pushover” to “unwinnable” in the blink of an eye, as armies attacked me on every front. I had been able to coast up until that point; my fortifications were pretty minimal and my armies largely consisted of ashigaru zerg swarms, but they worked. By the time realm divide rolled around, I was complacent. Boy, did the actual endgame come as a nasty shock after that. Given that I did complain about the series’ tendency to have “a drawn-out, grindy and ultimately boring late game”, maybe this was a case of “be careful what you wish for”…

 

So far, the game is promising enough for me to keep playing. This time, with the Shimazu, I intend to dig in and tech up as much as I can before realm divide sets in. I’ve set the campaign length to “short”, this time, so the game should end on a high note with the realm divide showdown. And I’m looking forward to that, even after the hammering I took the first time. Finally, a challenge worthy of the name “Total War”!

Let’s Play the Empire: Total War Multiplayer Campaign – Introduction

The Total War series of PC strategy games does not dream small. Players choose a nation – a sweeping empire, ambitious upstart republic, barbarian horde, or anything in between – and set out to conquer all before them. On the games’ strategic map, players move around armies, spies, and generals; form new alliances and break outdated ones; and sink their money into economic development or raising fresh troops. When those armies clash, the game swoops down to put the players in control of a 3D battlefield showing hundreds or thousands of men at a time, charging, fighting, dying, fleeing. Set in periods such as the late classical world (Rome: Total War), Sengoku Japan (Shogun: Total War), and the Middle Ages (Medieval: Total War), the games wear a veneer of history, but ultimately they are not about accurately representing the past. They are about bringing toy-soldier childhood play to thrilling life.

 

The series’ ambition reached its zenith in Empire: Total War (my writeup here). Set in the 1700s – a century which started with a war over who should become king of Spain, and culminated with the American and French revolutions – Empire propelled the series into the age of gunpowder. And instead of tasking the player with the conquest of Europe or Japan, Empire broadened its scope to the whole world. In Empire, players can fight in three main theatres (Europe, North America, and the Indian subcontinent) and send ships to four lesser ones (the coasts of Brazil, West Africa, and the East Indies, and the straits of Madagascar). British redcoats can square off not just against French regulars in the fields of Flanders, but Iroquois warriors in the Thirteen Colonies, Maratha cavalry in India, or those same French in Quebec. Empire also plunges into naval warfare, allowing players to command their ships in battle and using overseas trade as a carrot to reward players for achieving command of the seas.

 

Unfortunately, Empire has a particularly noticeable Achilles’ heel. As with many other strategy games, the computer player cannot keep up with a human over the course of the campaign*.

 

The option to play the campaign in multiplayer alleviates this problem.

 

And this is what Peter Davies, aka beefeater1980 (edit: later replaced by Shane Murphy, aka Talorc), and I are doing. Each of us manages his respective kingdom and commands his troops and ships on the battlefield. And the way the Empire multiplayer campaign works, each time one human player fights a battle against a computer player, the other player is given the chance to take over for the computer. The result should be a game that’s exciting and epic in equal measure, and so far, it has lived up to our hopes.

 

The game: Empire: Total War.

 

The rules: The winner of the game will be determined by Prestige, which as far as we can tell is awarded for researching certain technologies, and building fancy public buildings ranging from infrastructure to palaces. We have set the campaign difficulty to Hard (which gives a boost to the computer players) and the battle difficulty to Normal.

 

The two sides: Peter Sahui (PS) as Britain (that’s me!). Peter Davies (PD) and later Shane Murphy as France.

 

Our game begins in 1700; historically, this was the eve of the War of the Spanish Succession. Great Britain** is allied to Portugal, the Netherlands, Austria and Hannover. France is allied to Spain. Britain controls the British Isles, Jamaica, the Bahamas and Prince Rupert’s Land; France controls metropolitan France, the Windward Isles and what, today, is eastern Canada. Each of us also has certain American possessions represented by a computer-controlled ally: the Thirteen Colonies for me, Louisiana for the French. Geography presents several obvious potential flashpoints for the two powers. But while conflict is inevitable, when it will break out, and the form it will take, are not set in stone.

 

And now, over to France…

 

 

* Based on my personal experience playing as the British in single-player.

** In real life, England and Scotland did not come together to form Great Britain until the Act of Union in 1707;  however, the game represents them under the British banner from the start.

How a (now-defunct) gold-farming business actually worked

Here’s a bit of fascinating reading for anyone interested in the MMO phenomenon of gold farming – ICTs for Development profiles an actual World of Warcraft gold farming business, complete with a brief profit and loss statement. How many people work for the business? Which in-game tasks do they perform to earn their gold? How much does the business pay its staff, and what is its profit at the end of the day? Which intermediaries does it use, and what is their mark-up? The article discusses these topics, and more.

 

Note that eventually, the proprietor described in the article abandoned gold farming. The price at which he could realise 1,000 WoW gold fell from US$7.10 in March 2009 to US$3.37 in January 2010 to just US$1.00 as of the time of writing (March 2011), a pretty steep decline in just two years!

 

The same author, Richard Heeks, has also written a working paper on gold farming in general. I have only skimmed it, but it looks as though it could also be worth a look for anyone following the topic.

 

(Link courtesy of Gama Sutra)