Classifying the Total War games

Two different emperors prepare to defend their worlds. In Western Europe, circa 400 AD, a Roman emperor inspects his comitatenses and scholae, the successors to Caesar’s legions. A universe away, a different emperor raises his magic hammer, and beckons his griffon into the skies. They are united by circumstance — and the design of their respective games.

There is no one Total War design; there are several, differing by structure and scope.  This is why different players prefer different entries in the series — the designers were trying to accomplish different things. (How well they succeeded is a different question.) I’ve created the following diagram to illustrate this:

Classifying the Total War games by scope and structure. Source: Author

Structure is measured along the Y-axis of the chart. Games towards the top (Attila, Warhammer I, Shogun 2) have a more defined structure, typically ushering the player towards a do-or-die endgame. Games towards the bottom are more open. Meanwhile, the chart’s X-axis measures scope. Games towards the right (Shogun 2) are smaller and more focused. Those towards the left are geographically larger, encompass more factions, or have more complex game mechanics.

The rest of this post explores, first, the categories that emerge, second, the ones that I prefer, and third, how this system relates to the future of Total War.

The categories

I divide the Total War games in the chart into several main categories:

  1. Rome II & Empire: the big, world-spanning games. These offer faction diversity and vast, exotic settings: Romans play very differently from Scythians, who play differently from Macedonian successor states. There are two downsides. The first is a less interesting late game, due to the lack of structure. The second is that these games appear harder to get right: both were plagued with problems at launch. Overall, they’re perhaps better as “toys” (something you play with) than as “games” (rules-based, win/lose activities). (Many of the older, pre-Empire games also fall into this category.)
  2. Napoleon: the little brother. Napoleon: Total War shed much of Empire’s scope by confining itself to Europe and the Mediterranean. While it added several features that became standard in later games, it still lacked the defined endgame that became increasingly common in its successors.
  3. Attila & Warhammer I: the pre-apocalyptic games. These games are structured around beating back a vast, powerful invader: the Huns in Attila, Chaos in Warhammer. Between the two, Attila offers a huge map—almost as large as Rome II’s—and complex empire management, while Warhammer dials this back to focus on conflict.
  4. Shogun 2: the most focused game. Shogun 2 combines limited scope with extreme polish, and I don’t think that’s a coincidence. The map is geographically more confined—and that makes it easier for the computer to put up a fight. There are fewer units — and each of them has its own useful, distinct niche. It also has the most structured endgame in the series, with the campaign culminating in a march to Kyoto against almost all of Japan.
  5. Warhammer II: still deciding… Warhammer II’s campaign is a race to cast a series of magic rituals, very different from Warhammer I’s struggle against impending doom. As of 100 turns, it feels more like the space race in Civilization— a defined goal that leaves the “how” up to the player. It also feels broader than its predecessor — the world is vast, intricate, and filled with varied factions.

My favourites

My favourites are structured around a challenge… I love Shogun 2 for its polish and elegance, its ruthless AI and climactic showdown. I also love the far more sprawling Attila for its “rage against the dying of the light” zeitgeist, the sense that I was defending civilisation by the skin of my teeth.

… at the same time, I appreciate the others. For all its flaws, Empire still holds a place in my heart for its depiction of the globalising early-modern world. Post-patch, Rome II also appeals when I want a taste of classical antiquity.

The future of Total War

I expect both “broad” and “focused” titles. One of the next two historical Total War games will take the series to a new setting — my guess is this will be large. The other will be the first “Total War Saga” — geographically smaller and focused on a “key, pivotal point in history”. No matter which scope you prefer, I expect there will be something for you!

My gaming year: 2016

Hello, and welcome to my gaming wrap for 2016.

For me, the year was defined by five new PC strategy games — Stellaris, XCOM 2, Total War: Warhammer, Civilization VI, and Hearts of Iron IV, each of which I really enjoyed. I also dabbled with a few new releases in other genres (Titanfall 2 and House of the Dying Sun), replayed several older games (Crusader Kings II, Europa Universalis IV, Sins of a Solar Empire: Rebellion, Total War: Shogun 2, and a little Dishonored), and discovered the joys of iPad gaming (Eclipse: New Dawn for the Galaxy, 80 Days, Desert Fox, and the mobile version of FTL). Two final notable releases were Dishonored 2, which is waiting in my Steam library for me to finish the DLC for the original Dishonored, and The Last Guardian, which I intend to eventually buy alongside a PS4.

Digging more deeply into the five new strategy games, it’s interesting to see how they represent different blends between innovation and execution:

– XCOM 2 is the excellent, evolutionary, sequel to one of my favourite games. In terms of game mechanics, it’s probably the strongest on the list: it is a delight to mix and match the complementary abilities of a late-game squad.

– Stellaris is imaginative, beautifully scored, and has the potential to become one of the most significant 4X games in the last 20 years. I am particularly interested in the extent to which future updates flesh out internal politics, an area where the 4X genre could learn a lot from grand strategy games.

Hearts of Iron IV and Civ VI are built on strong underlying designs, combining the best elements of their respective predecessors (HOI 2-3 and Civ 4-5) with new innovations; I expect both games to be stronger after AI tweaks and expansions.

– Finally, Total Warhammer successfully adapts the apocalyptic, “rage against the dying of the light” experience of Total War: Attila to a fantasy setting.

In the broader game industry, the most interesting development for me has been Nintendo’s counterattack across multiple fronts: (1) the Switch announcement, aimed at the traditional console/core gamer market; (2) well-received moves to bring Nintendo IP to mobile, through licensees (Pokemon GO) and  outright development (Super Mario Run, supported by mobile specialist DeNA); and (3) laying the groundwork to take that IP beyond gaming by partnering with Universal Parks. I love the concept of the Switch — playing core games on the go is a big draw — and I look forward to learning more in 2017. While I’m also very interested in VR, I expect this to be more of a medium/long-term story.

Other releases I’ll watch in 2017 include Frozen Synapse 2, Persona 5, and Final Fantasy XII: The Zodiac Age (especially if it’s ported to PC).

Note: I will soon be travelling overseas and won’t have access to my gaming PC for several months — during that time, I expect to survive on a diet of Paradox, Slitherine, independent, and classic games. I wish all of you Merry Christmas, Season’s Greetings, and all the best for 2017!

Shield of civilisation: Thoughts on Total Warhammer

This entry is part 1 of 1 in the series Total War: Warhammer

Total Warhammer - the emperor strikes backI am the shield that guards the realms of man. When the Vampire Counts marched west into the fragmented, bickering human principalities, it was the recently crowned Emperor, Karl Franz, who came to the rescue. And when the battle hung in the balance, the weary human warriors struggling against the Vampire Count himself, it was the Emperor who charged up on horseback to deliver the final blow.

When the forces of Chaos swept south and west, razing all before them, it was the Empire that rallied resistance. My first pitched battle against Chaos was Pyrrhic, as charging Chaos monsters trampled my infantry. Only weight of numbers saved the day. I rebuilt, and with help from the free peoples of the world, my new, improved armies – bristling with greatswords, knights, and artillery – defeated the last Chaos hordes.

And finally, when Chaos was no more, and the orcish hordes to the south were beaten back, it was time to settle the final score with the Vampire Counts.  An uneasy peace had prevailed in the face of the common enemy, Chaos. Now it was the Vampires’ turn to experience the power of the human war machine. Sandwiched between me to the west, Chaos to the north, and orcs and dwarfs to the south, the Vampires had lost their chance to expand, so my campaign was anticlimactic. My troops swept the Vampires aside, fought off an orc army eager for a rematch, and occupied the last settlement required to win. Victory!

Game of the Year contender. A triumphant fusion of theme and mechanics, Total War: Warhammer is intense, challenging, and often spectacular1.  From the early game, when I plotted how to bring a wealthy city-state into the imperial fold, to the mid-game, when I juggled human and inhuman foes, to the late game, when I led a Lord of the Rings-style alliance that saw armies marching from the far corners of the earth to help fight Chaos, Total Warhammer cast me as the star of a fantasy epic about uniting humanity against the coming darkness. This was the experience promised before release, and wow, did the game deliver.

More detailed thoughts below:

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  1. I played on Hard campaign difficulty, Normal battle difficulty.